(Ukraine) Chairman of the jury
The Ukrainian violinist, Valeriy Sokolov, is one of the most outstanding young artists of his generation. Working regularly with the world’s leading orchestras, he has enjoyed collaborations with the Philharmonia Orchestra, Chamber Orchestra of Europe, Cleveland Orchestra, BBC Symphony Orchestra , Tonhalle Orchestra Zurich, Rotterdam Philharmonic, City of Birmingham Symphony Orchestra, Tokyo Symphony, Seoul Philharmonic, Orchestre de Paris.
He works frequently with conductors including Vladimir Ashkenazy, David Zinman, Susanna Malkki, Andris Nelsons, Peter Oundjian, Rafael Payare, Santtu-Matias Rouvali, Yannick Nézet-Séguin, Juraj Valcuha and Kirill Karabits. He has appeared in many major European festivals including Verbier, Lockenhaus and Lucerne. He regularly performs in the major concert halls around the world with highlights including regular Sunday Morning series appearances in Theatre du Chatelet as well as at the Wigmore Hall, Lincoln Center, Mariinsky Theatre, Prinzregenten Theatre in Munich and Musikverein in Vienna.
The 2018/19 season saw Valeriy give debut performances with the Oslo Philharmonic, Berlin Konzerthausorchester and the Royal Philharmonic Orchestra at London’s Southbank Centre as well as a tour of China with the Shanghai Symphony Orchestra. He also returned to the New Japan Philharmonic and La Chaux-de-Fonds.
Highlights of the 2019/20 season sees Valeriy return to the Orchestre National de France, NDR Hannover , Tampere Philharmonic and the Bournemouth Symphony Orchestra with Kirill Karabits. He will also return to the Berlin Konzerthausorchester for his debut at the Musikfest Berlin.
Born in 1986 in Kharkov, Ukraine, Valeriy is one of the leading violinists to come out of Ukraine in the past twenty years. Valeriy left his native country age 13 and have completed his studies with Natalia Boyarskaya, Felix Andrivesky, Marc Lubotsky, Ana Chumachenko, Boris Kuschnir and Gidon Kremer in London,Hamburg, Frankfurt and Vienna.
Valeriy Sokolov is a 2005 winner of the George Enescu International Violin Competition in Bucharest.
Appreciated for her expressive and very emotional performances, Alissa Margulis regularly plays in important concert halls such as the Berlin Philharmony, the Carnegie Hall, the Kennedy Center, the Tchaikovsky Hall Moscow, Palacio de Bellas Artes in Mexico City, the Palais des Beaux Arts in Brussels, the Cologne Philharmony, the Vienna Musikverein, Sumida Triphony Hall Tokyo, the Sage Gateshead, the Tonhalle Zurich and the St. Petersburg Philharmonic Hall.
Born in Germany into a family of Russian musicians, Alissa Margulis studied in Cologne with Zakhar Bron, in Brussels with Augustin Dumay and in Vienna with Pavel Vernikov. She won numerous prizes at international violin competitions and was awarded with the “Pro Europa” prize of the European Arts Foundation which was presented to her by Daniel Barenboim in Berlin.
She made her first public appearance at the age of seven with the Budapest Soloists and has performed since then with numerous orchestras such as the English Chamber Orchestra, New Japan Philharmonic Orchestra, Orchestre National d’Ile de France, New Russia Orchestra, Orchestra Sinfonica di Milano Giuseppe Verdi, Orchestra della Svizzera italiana, Bilkent Orchestra Ankara, Beethoven Orchestra Bonn, Belgian National Orchestra, the Philharmonic Orchestras of Kiev, Skopje, Ljubljana, Minsk and Novosibirsk, the Vienna Chamber Orchestra, the Royal Northern Sinfonia, the Moscow Soloists, and the Kremerata Baltica, amongst many others. Alissa Margulis worked together with famous conductors: Ivor Bolton, Jacques Mercier, Arnold Katz, Jacek Kaspszyk, Dmitry Liss, Jaap van Zweden, Enrique Mazzola, Daniel Raiskin, Fabrice Bollon, Stefan Vladar, François-Xavier Roth, Lars Vogt, Howard Griffiths, Stanislav Kochanovsky, Hubert Soudant, Yuri Bashmet, Gidon Kremer, Christian Arming, Augustin Dumay, Mikko Franck and Gerd Albrecht to name just a few of them.
Besides her solo career Alissa Margulis is an enthusiastic chamber music player and collaborates with artists such as Martha Argerich, Yuri Bashmet, David Geringas, Ivry Gitlis, Gidon Kremer, Bruno Giuranna, Mischa Maisky, Gabriela Montero, Jean-Guihen Queyras, Liana Issakadze, Alexandre Tharaud, Stephen Kovacevich, Alexander Lonquich, Polina Leschenko, Paul Badura-Skoda and Lars Vogt.
She further appeared at various Festivals: at the Enescu Festival Bucharest, Jerusalem Chamber Music Festival, the Menuhin Festival Gstaad, in Davos, Tours, Stravanger Festival, at the Mozartwoche Salzburg, “Spannungen”-Festival in Heimbach, “Progetto” Martha Argerich Festival in Lugano, Schleswig-Holstein Festival, Maggio Musicale Fiorentino, Sotshi Winter Arts Festival and Verbier Festival.
Her discography includes more than a dozen CDs at labels such as EMI Classics, Oehms, Novalis, Avanti Classic and CAvi. Notably two of the six EMI Classics releases of the „Martha Argerich and Friends“ series received a GRAMMY nomination, several others won the Diapason d’or. She recorded repertoire by Mozart, Shostakovich, Enescu, Beethoven, Messiaen and others as well as the complete music for violin and piano by Franz Liszt. She recorded Piazzolla’s seasons and took part in an all Klezmer recording alongside musicians such as Myriam Fuks, Roby Lakatos, Evgeny Kissin, Polina Leschenko and Mischa Maisky. Alissa Margulis was featured in another live recording of chamber music performed at the Progetto Martha Argerich, a 2016 release by Warner Classics.
(Ukraine) Founder and artistic director
Ukrainian violinist, founder and artistic director of Odesa International Violin Competition. Andrii has performed in numerous important festivals and concert series, including Heidelberg International Festival, Santander International Festival, LvivMozArt International Festival, International Festival of contemporary music «Two days and two nights of new music». He is regularly invited to perform recitals and chamber music program in the cities of Switzerland, France, Germany, Ukraine, China and Spain at venues such as Yehudi Menuhin Forum, Palacio de Festivales, Tonhalle Düsseldorf, Shenzhen Concert Hall, Deutsche Oper am Rhein and Royal Palace “El Pardo” in Madrid, where he was honored to play for Spanish Royal family.
He made a recording for the National Radio of Spain with works by Bach, Schubert, Schnittke and Saint-Saens, as well as for the Radio SWR Classic, performing violin sonata by Ukrainian composer Viktor Kosenko.
Andrii Murza has performed with such orchestras as MDR Leipzig Radio Symphony Orchestra, Philharmonie Baden-Baden, National Symphony Orchestra of Ukraine, Odesa Philharmonic Orchestra, Orquesta de Córdoba, National Orchestra of Moldova, Radio Symphony Orchestra of Ukraine. He collaborated with many well-known conductors, among them Oksana Lyniv, Aziz Shokhakimov, Pawel Przytocki, Hobart Earle and Peter Csaba.
Andrii was born in Odesa (Ukraine) in a family of musicians. He began his education at the famous Stolyarsky School at the age of 6 with Anna Lapteva and later at the Odesa National Music Academy named after A.V. Nezhdanova by professor Mikhail Turchinsky. After his graduation he continued his education in Europe with the world-famous professor Marco Rizzi at the Queen Sofía College of Music in Madrid, as well as postgraduate studies at the Mannheim University of Music and Performing Arts. A huge influence on his professional development was provided by classes with outstanding musicians, including Pinchas Zukerman, Gerard Poulet, Zakhar Bron, Viviane Hagner, Miriam Fried and Ferenc Rados.
He won numerous prizes at international violin competitions and awarded with the various awards and grants of cultural funds, among them Isaac Albeniz Foundation, Sinfonima Foundation, German National Cultural Foundation, Ottile Zelbach Foundation and Vladimir Spivakov International Foundation.
Andrii Murza appointed as a member of String Department at the Odesa National Music Academy and takes part as a jury member in the various international competitions. Since 2016 he is a member of 1. Violin group at Düsseldorfer Symphoniker.
Andrii plays a violin by Auguste Sebastien Philippe Bernardel (Père) made in 1840.
Daniel Austrich is a laureate of numerous international competitions, such as Ludwig van Beethoven Competition in Austria, Pablo Sarasate Competition in Spain and Niccolo Paganini Competition in Russia. Since 2015, he has been an assistant professor at the Cologne University of Music and Dance and from 2020 he will teach at the Violin Art Workshop in Moscow. In the period from 2012 to 2019 he has been a member of the famous Michelangelo quartet.
He studied at the Secondary Special Music School at the St. Petersburg State Conservatory named after N. A. Rimsky-Korsakov. From the age of thirteen lives in Germany, where he improved his skills in Hamburg, and then at the Cologne University of Music and Dance in the class of Professor Victor Tretyakov.
As a soloist and ensemble player, he regularly performs in such concert halls as Carnegie Hall in New York, Wigmore Hall in London, Library of Congress in Washington, Pierre Boulez Hall in Berlin, Tokyo City Opera Hall, Tonhalle in Zurich, Elbphilharmonie in Hamburg, Victoria- Hall in Geneva, Art Center in Seoul, Tchaikovsky Hall in Moscow, the Hall of Fine Arts in Mexico City and many others.
He performs in ensembles with such famous musicians as Itzhak Perlman, Jose Carreras, David Geringas, Donald Weilerstein, Pamela Frank, Antoine Tamesti, Andrey Baranov, Nobuko Imai, Lahav Shani. In 2014 he made his debut as an viola player at the Diaghilev Festival together with the David Oistrakh quartet.
In April 2019 he debuted as a conductor with the Slobozhansky Youth Academic Symphony Orchestra in Kharkov.
He plays the violin by violin maker Michele Deconet 1776, Venice.
Ukrainian violinist Oleksii Semenenko is praised for passionate performances replete with stunning technique, intonation, as well as an unparalleled level of refined musicianship and stage presence. This was evidenced in his triumph at the 2015 Queen Elisabeth Competition in Belgium, where he captured Second Prize and went on to perform Laureate concerts throughout Belgium with the Philharmonic Orchestras of Liège and Brussels. In 2015-2016, he performs at Musée du Louvre in Paris, Rotary Club d’Arlon and Rotary Gent-Zuid in Belgium, and at University of Florida Performing Arts, Merkin Concert Hall, Eastern Connecticut Symphony and Alice Tully Hall in New York.
Oleksii Semenenko has appeared as soloist with orchestras including Deutsches Symphonie-Orchester Berlin, Royal Concertgebouw Orchestra under Manfred Honeck, Moscow Virtuosi, Kiev National Orchestra, Junge Philharmonie in Cologne, and Sinfonietta Hungarica, among others. He appeared at the Interlaken Classics Festival in Switzerland as soloist with the Zakhar Bron Chamber Orchestra and toured Germany.
Recent highlights include a return engagement to the Seattle Symphony, invitations at the Hay, Cheltenham and Edinburgh Festivals and debuts with the BBC National Orchestra of Wales and BBC Philharmonic where he will be returning this season.
Oleksii’s other honors include First Prize in the 2015 Boris Goldstein International Violin Competition, Musical America’s New Artist of the Month (March 2015), the Audience Prize at the 2015 Musical Olympus International Festival in St. Petersburg, the Alois Kottmann Award at the 2010 International Day of Music Festival in Hofheim, Germany, and the Grand Prix of the 2006 National Violin Competition in Lviv, Ukraine.
Winner of the 2012 Young Concert Artists International Auditions, he was presented in debut recitals at Merkin Concert Hall, Kennedy Center. He has also appeared in recital at the Isabella Stewart Gardner Museum, the Port Washington Library, Rockefeller University, the Vero Beach Museum of Art, La Grua Center for the Arts.
Born in Odesa, Oleksii began his violin studies at the age of six with Zoya Mertsalova at the Stolyarsky School. He also studied with Zakhar Bron at the Hochschule für Musik in Cologne.
Oleksii Semenenko plays the Stephan von Baehr violin, loaned to him by the Deutsche Stiftung Musikleben fund of Hamburg, Germany.
General Secretary of the Hong Kong International Music Festival and International Relations Director of the International String Competition in Shenzhen (China).
He began his foreign studies at the Moscow Tchaikovsky Conservatory, and then at the National Tchaikovsky Music Academy of Ukraine, National Pedagogical Drahomanov University and the Royal College of Music in London.
David Wong is a laureate of the Hong Kong International Violin Competition and international chamber music competitions in Japan, Korea and Spain. Annually takes part in numerous festivals of classical music and holds master classes.
As a soloist and as part of chamber ensembles, he regularly gives concerts with various programs in France, Germany, Switzerland, Japan, and China.
Born in 1981 in Ukraine, Andrej has developed as one of the leading Ukrainian musicians of his generation. As a soloist and chamber musician he has recorded over 20 CD albums for Naxos, CPO, Avi-Music, Hänssler Classics, Hänssler-Profil, Guttingi, Solo Musica, Genuin, Hyperion and Rakete Media.
As a soloist he collaborated with such renowned orchestras as Orchestra National de Radio France, NDR Radiophilharmonie, Sinfonieorchester des Bayerischen Rundfunks, Kiev Philharmonic and Münchner Kammerorchester under the baton of established conductors such as Kurt Masur, Yan Pascal Tortelier, Gianandrea Noseda, Miguel Gomez-Martinez, Christian Arming, Agnieszka Duzcmal, Junichi Hirokami und Christoph Poppen, Enrique Mazzola to name a few of them.
He received his first violin lessons at the age of five and in 1993 attended the special music boarding school in Kiev into a class of Professor Mikhail Kusnetsov. At the age of 15, Andrej settled in Germany to study with Prof. Krzysztof Wegrzyn at the University of Music and Drama in Hannover. Further study followed with Gerard Poulet in Paris, Herman Krebbers, Ida Haendel, Ana Chumachenko and more recently Alfred Brendel.
Andrej Bielow won several major prizes at international competitions such as the Long-Thibaut Paris, ARD Munich, Hanover (Joachim), Citta di Brescia. Due to his extraordinary talent and musical qualities he was awarded various grants from the cultural institutions such as the Ukrainian Culture Foundation, Gundlach Foundation, Deutsche Stiftung Musikleben and Förderpreis of the Lower Saxony.
At the Kronberg Academy he performed with Gidon Kremer, Juri Bashmet and the Beaux Arts Trio. In 2011 he joined Kit Armstrong and Adrian Brendel to form a piano trio.
Andrej Bielow is professor of the violin faculty at the Robert Schumann University of Music in Düsseldorf. He regularly gives masterclasses in Europe, Asia and USA.
Andrej plays the violin “ex Flesch”, built in 1745 by Lorenzo Guadagnini.
Diana Tishchenko is proving herself to be one of the most exciting artists to emerge in recent years, and has been praised by The Strad for having “…the power to mesmerize the audience with her large gesture and strong personality .” The announcement that she will be a Rising Star of the European Concert Hall Organisation (ECHO) in the 20/21 season is testament to the high esteem in which she is held by critics and audiences alike. Under the auspices of the highly prestigious Rising Star scheme, Diana will perform in several of the most celebrated concert halls in Europe, including the Philharmonie de Paris, Casa da Musica Porto, Elbphilharmonie Hamburg, Festspielhaus Baden Baden, Concertgebouw Amsterdam, Müpa Budapest, Philharmonie Luxembourg, Sage Gateshead, Philharmonie Cologne, Gulbenkian Foundation Lisbon, Konzerthaus Dortmund, Konserthuset Stockholm, L’Auditori Barcelona, Megaron Athens, and NOSPR Katowice.
In November 2019 her debut album was released on Warner Classics, to universal critical acclaim. Entitled Strangers in PARadISe, it is a hommage to four great composers – Ravel, Ysaye, Enescu, and Prokofiev – on whom 1920s Paris had a huge influence. BBC Music Magazine awarded the album five stars, while Gramophone Magazine complimented her for “a genuinely distinctive, individual voice” as well as “beauty of tone, polish and range of colours”. Le Figaro wrote: “An album that confirms, with the yardstick of Prokofiev, but also Ravel and Enescu, the astonishing maturity of the artist.”
Past and upcoming engagements include appearances with Deutsches Symphonie-Orchester Berlin, the Hamburger Symphoniker, Shanghai Symphony Orchestra, Taipei Symphony Orchestra, Munich Chamber Orchestra, Orchestre National d’Ile de France, Orchestre Philharmonique de Strasbourg, Orchestre National des Pays de Loire, Baden-Baden Philharmonic, and Shenzhen Symphony Orchestra, working with conductors such as Long Yu, Lahav Shani, Eliahu Inbal, Joshua Weilerstein, Yaron Traub, Ion Marin, and Christian Ehwald. Appearances at major festivals include Salon de Provence in 2019, the Verbier Festival, Festspiele Mecklenburg-Vorpommern, the Salzburg Chamber Music Festival, the Internationales Musik Festival Koblenz, and La Folle Journée de Nantes 2019 in the closing concert broadcast to millions worldwide.
On hearing her debut concert with the DSO Berlin at the Berlin Philharmonie under Joshua Weilerstein, German newspaper Der Tagesspiegel gave her a glowing review, writing:
“[Tishchenko] compels the listener even in the first measures of Dmitri Shostakovich’s Violin Concerto No. 1… With a tone of incessant, nuance-rich intensity, she opens our eyes to the inner drama of this piece […] Simply genius!”
2018 was a momentous year for her containing several highlights. In November 2018 she was awarded the Grand Prix Jacques Thibaud at the legendary Long-Thibaud-Crespin International Competition in Paris by jury chair Renaud Capuçon. In the recent years she had been laureate of several other international competitions including the Shanghai Isaac Stern International Violin Competition 2018, First Prize at the Felix Mendelssohn-Bartholdy Music Academy Berlin Competition 2017, First Prize at the 2014 Lyon International Chamber Music Competition (Violin and Piano Duo category), the International ARD Competition in Munich and the David Oistrakh International Violin Competition in Moscow.
She has always been an enthusiastic chamber musician, and in May 2018 she was selected to participate in “Chamber Music Connects the World”, the renowned biennial celebration at the Kronberg Academy, performing chamber music with artists such as Gidon Kremer, Steven Isserlis and Christian Tetzlaff.
Born in Venezuela of American parents, Hobart Earle has developed a reputation on several continents as a dynamic and exciting conductor.
Music Director and Principal Conductor of the Odessa Philharmonic Orchestra, Hobart Earle has elevated the orchestra to a position of international prominence, unprecedented in the history of the organization, performing in such concert halls as the Musikverein (Vienna), Barbican Hall (London), Orchestra Hall in Chicago, the Great Hall of the Moscow Conservatory, Carnegie Hall (New York) and the Kennedy Center (Washington). He has led such orchestras as the Bilbao Symphony, Vienna Tonkuenstler, Noord-Nederlands Orkest in Holland, Odense Symfoniorkester in Denmark, Jerusalem Symphony Orchestra, Sinfonica Siciliana and Orchestra della Toscana, Sinfonia Iuventus in Warsaw and Krakow Philharmonic, Buffalo and Florida Philharmonics, North Carolina and Miami Symphony Orchestras, Taipei Symphony and such major Russian institutions as the St. Petersburg Philharmonic and Russian National Orchestra.
In the opera pit, he has led productions with the Greek National Opera and Mythos Opera Festival, and has recorded with the Russian State Symphony and Odessa Philharmonic for Naxos and Toccata Records.
His performance of Tchaikovsky’s 5th symphony in Vienna’s Musikverein was recorded by the Austrian Radio live in concert, and awarded “Best Classical Album 2002” at the ‘JPFolks Music Awards’ in Hollywood, California.
He was a student of Ferdinand Leitner in Salzburg and Leonard Bernstein and Seiji Ozawa at Tanglewood. Hobart Earle studied conducting at the Academy of Music in Vienna; received a performer’s diploma in clarinet from Trinity College of Music, London; and is a magna cum laude graduate of Princeton University, where he studied composition with Milton Babbitt, Edward Cone, Paul Lansky and Claudio Spies.
In 2003, the Russian Cosmonaut Association named a star in the ‘Perseus’ constellation as ‘Hobart Earle’, and in 2014, Hobart Earle was recognized as one of 30 “Professionals of the Year” by Musical America Worldwide.
Hobart Earle is a “Peoples Artist of Ukraine”.
Bruno Monsaingeon is a Paris-based concert violinist who, while still active in the field of performance has, in the last thirty years, devoted a large part of this time to the making of musical films.
He has directed films on and about some of the major musicians of our time, Nadia Boulanger, Yehudi Menuhin, David Oistrakh, Murray Perahia, Glenn Gould, Sviatoslav Richter, Viktoria Postnikova, Guennadi Rojdestvenski, Michael Tilson Thomas, Zoltán Kocsis, Friedrich Gulda, Paul Tortelier, Dietrich Fischer-Dieskau, Julia Varady, amongst many others.
His long association with Yehudi Menuhin and Glenn Gould have been remarkable and have led to the production of numerous films on various subjects with these two mu sicians. Two of these productions in particular, The Open Wall, Menuhin in China and The Goldberg Variations , have gained worldwide acclaim. In 1995, he completed a two-hour special, Yehudi Menuhin, The Violin of the Century, to mark the violinist’s 80th birthday.
After several years of research, Bruno Monsaingeon found, restored and edited a vast amount of archiv al footage on the great Soviet violinist David Oistrakh. In addition to the three programmes of The David Oistrakh Collection, based on rare concert material filmed in the Soviet Union, Monsaingeon recently directed a major profile of the violinist, entitled David Oistrakh, Artist of the People?
Bruno Monsaingeon simultaneously spent many years putting together a film on the Soviet pianist Sviatoslav Richter, reconstructing his life story for the major biographical profile Richter, The Enigma.
In 2000, he directed the Art of Violin, a 2-parts series covering a vast panorama of the world’s most celebrated 20th century violinists (Mischa Elman, Isaac Stern, Jascha Heifetz, Fritz Kreisler, David Oistrakh, Yehudi Menuhin etc.). Also in 2004, Valery Sokolov, Natural Born Fiddler, a concert cum portrait of the brilliant 17 year old Ukrainian violinist.